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), Partly because it’s fun to imagine a story involving Cheesecake Factory and strawberry lemonade that could work Big Boi up this much, but also because this is one of the few Outkast songs that André isn’t on pre-Speakerboxx, which, in some small way, means that he couldn’t avow it. In short, it’s Outkast doing the absolute most, and we couldn’t ask for anything more. —Andrew Gruttadaro. Speakerboxxx/The Love Below is the fifth studio album by American hip hop duo Outkast.It was released on September 23, 2003, by LaFace Records.Issued as a double album, its playtime of more than two hours is distributed over solo albums from both of the group's members. Join the chat room, ask our expert panel questions and shout your love. He gets what he wants because he wanted it. It reinvigorates interest in the Polaroid camera. —Charity. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. There was, of course, his unimpeachable “Int’l Players Anthem” verse, but also his turns on the “Walk It Out” remix, and Drake’s “The Real Her,” and Jeezy’s “I Do,” and Rick Ross’s “Sixteen,” and, well, I could do this all day. And yet the song’s message is somehow even darker and more existential than all of these details let on. —Logan Murdock. And it’s fucking perfect. But as ATLiens’ “Mainstream” suggests, “everything ain’t always peaches and cream,” especially when one is on the ascent. But there are worthy tracks beyond “Roses” and “Hey Ya!”: “Prototype” is a perfect song about a wounded person rediscovering love; “Spread” is frighteningly sexy; “Take Off Your Cool” certainly plays like Grammy bait, but it sure sounds good. The catalyst for this antagonistic tournament, you ask? “Gangsta Shit,” buried 20 songs into the album, isn’t as flashy or iconic, but is just as adventurous, managing to do that Stankonia thing where it’s incredibly busy with diverse sound—guitars, drums, synths, whinier synths, layered vocals—but not claustrophobic. Some of OutKast's most popular songs include 'Ms. But they also had the burden of carrying a region not yet primed to run music and the reputation that they’ve ascended past their childhood peers back home. At one point in “Mighty O,” he invites every person in the media to “a double diamond party in the North Pole,” which quickly becomes a tournament where everyone has to pretend to be André 3000. “I’m speaking ’bout you playing with that phony stuff you sharing,” the latter raps. But when they called their shot in 1994, they didn’t know what that future held, just that they needed to get there. Outkast are often written about as the inheritors of Clinton’s particular spirit of subversion, and of his talent for timelessness, for obvious reasons. The insidious robo-funk bounce. In four lines, he paints a picture of the difference between choice vs. nature, drug tourism vs. growing up in that world. “New York–wannabe-ism,” Killer Mike recalls. The track is exactly what it claims to be: an exhibition in the art of storytelling. The joyous call-and-response chant of Caroline! The first name that teenaged André Benjamin and Antwan Patton settled on for their rap group was 2 Shades Deep, a fine name except that there was another crew in Atlanta that went by 4 Shades Deep, and even if there was no copyright involved, there was a rule against biting. It’s fitting, considering the song itself is an ode to getting down with the team for those who have been rolling solo. 1 hits arrived, that these guys would never go hungry again. 1 hits would come later). How were they gonna get any respect? Antwan is smooth as a baby’s bottom rapping—and briefly singing—about putting on (and taking off) clothes culled from a variety of species of dead animals. 105 more photos, Javascript is required to view shouts on this page. My guess is we’d do a lot less of that without “B.O.B.” But beyond the experimentation, the influence, the glowing studio room of it all, “B.O.B.” is an excellent song. For nearly four minutes, the larger-than-life characteristics of André and Big Boi begin to form. A slow-churning ballad driven by a gurgling bass line and André 3000’s deft touch, “Prototype” is a transportive jaunt that feels more than it sounds. The vibes are laid down by Sleepy Brown on the chorus and enhanced by Big Boi and 3 Stacks. Let us know what you think of the Last.fm website. —Harvilla. André agrees, then adds that they also need “some space, futuristic-type” things, barking that people (or, more specifically, rap in general) is “scared of that.” To which Big Boi responds, “All right then, let’s do both of them.” And then that’s exactly what the fuck they do. Outkast’s catalog contains multitudes—Stankonia’s Afrofuturism sounds nothing like Aquemini’s mystical Southern drawl, which sounds nothing like the space-age boom-bap of ATLiens or the Cadillac-trunk-rattling bass of their debut. Buy used: $30.69 + $19.99 shipping. It’s amazing this was birthed on a traditional digital sampler like the SP-1200, and not, say, the console of a space shuttle. In combination, “Git Up, Git Out” strikes the balance between preachy and unbelievable. “War” begins with a call to action from Big Boi on the general state of affairs in America. BUT REALLY, “The Way You Move” was understood to be Big Boi’s debut as a solo artist, similar to how “Hey Ya” was understood to be André 3000’s debut as a solo artist, which also came from the same double album and had been released a month earlier. —Keith Fujimoto. “Int’l Players Anthem” is just about the end of the line for both duos: Outkast would release only two more songs together (the great loosie “Royal Flush” and an unceremonious track on a DJ Drama compilation album) and UGK’s Pimp C would die several months after the song’s 2007 release. 24 tracks (72:55). And of course they’d eventually release it as a single, except they’d make sure to not make it the first single, because that’s what everybody else would’ve done, and Outkast is not everybody else. And what jumps out immediately is their paranoia about the present: “Time and time again see I be thinking about that future,” Big Boi opens the first verse; “Time is slipping, slowly but surely,” Dre opens his. Music by OutKast has been featured in the Clive Davis: The Soundtrack of Our Lives soundtrack, Teenage Bounty Hunters soundtrack and Saints Row IV soundtrack. Creative Commons Attribution-ShareAlike License. Stankonia is the fourth studio album by American hip hop duo OutKast, released October 31, 2000 on La Face Records. Sure, others had experimented with the form before, but never like this. 12 on the Billboard Hot 100) and how far they had left to go (the no. Outkast - SpottieOttieDopaliscious from the album "Aquemini" When their single “One Nation” hit, rather than create a new mythology around it, the group leaned into the theme of accessibility, buying the stock of Army-Navy outlets to fill their wardrobe as they went out on what he called the “Anti-Tour,” creating fashion along the way. When the beat changes, so does Big Boi’s sense of urgency. The following day, he had Sleepy lay down the vocals, which are an interpolation of Joe Simon’s “Before the Night Is Over.” Surprisingly, André didn’t want to do the song initially but decided to after hearing Big Boi’s first two verses. The instrumental is anthemic—kudos to the syrupy, orchestral vibes—laying the foundation for the duo to nullify any of the asinine side-eyes and shade they were getting from their haters/critics. You can view Outkast’s second-to-last album as the beginning of the breakup of one of the most brilliant duos of all time—or as the start of Big Boi’s exceptional solo career. The song broke barriers and challenged what constituted hip-hop music. The Ringer’s 50 Best Outkast Songs, Ranked. Outkast is nothing like what you’ve ever heard and the fact that they ended the song with their speech from the infamous ’95 Source Awards proves that they really had something to say. As André 3000 aptly stated in this song,“You are now about entering the fifth dimension of ascension.” This song truly isn’t from this planet and it’s evident from the gritty guitar riffs that immediately hit your ear, and 3 Stacks’ intro: “Woo, woo Yosky-wosky, peesky-weesky, What’cha wanna do-ski?”, Outkast makes it clear that what you’re hearing is alien-like, and that sound would extend to their critically acclaimed follow-up album, Stankonia. So there’s always that tricky history that you have to work your way through whenever you’re talking about this song. Because of everything from The Love Below to “Lucious Left Foot” to André 3000’s Anita Baker clothing line, it’s sometimes hard to remember that Outkast was once just a couple of precocious teenagers navigating the streets of East Point, Georgia. Here, we want to celebrate the best songs in the Outkast discography (yes, we even accounted for the solo songs recorded for Speakerboxxx/The Love Below). —Sayles, This was a warning to all the punk motherfuckers: If you try to get a piece of mine, I gotta grab my piece. “The hardest shit since MC Ren,” André notes. But let’s not forget the other regional coup: Outkast making better Dr. Dre albums than Dr. Dre could manage after The Chronic. —Peters, In this Southernplayalistic B-side that made its way onto the legendary New Jersey Drive soundtrack, Outkast momentarily betrayed their loyalty to Sevilles and El Dorados and declared, plainly, “Either want a Benz or a Beamer.” With a track that sounds this good, the fine folks at Cadillac likely had a hard time feeling hurt. —Fujimoto, “Jazzy Belle” is a bit of a deep cut off of Outkast’s sophomore effort, ATLiens, but it showcases André 3000 and Big Boi doing what they do best. —Pryor. —Harvilla, The quintessential pre-party anthem. The silly sing-along profundity of that chorus. If Idlewild—the musical film that birthed Outkast’s final-album soundtrack of the same name—was the group’s symbolic death, then “Mighty O” represents its defiant last gasp of air. Through it all, a theme emerges: André and Big Boi may have been one of the most popular and respected hip-hop groups of all time, but they achieved those things their own way. Musically, Aquemini draws so much life force from so many different galaxies. Each rapper glitters individually, but they become more fascinating when juxtaposed with each other. ET, NPR Music will host an online listening party for the 20th anniversary of OutKast's landmark album. I ain’t fuckin’ with that no mo’.” But even if they felt it, it didn’t deter them. Big Boi opens the talks, calling for very earth-bound groundwork. Official YouTube channel for OutKast. One started dressing differently. It serves as a crystallization of both groups at their best: four one-of-a-kind men rapping about the wildly different ways they love women. Perhaps a song that leaves that much room for misinterpretation shouldn’t be in the running for the best song from one of the best rap groups of all time. “In your raps Mercedes-Benz and all your riches.” In total, it’s the exclamation point on an album that put the rest of the world on notice that this group and this region had a voice in music, all the while explaining that it comes at an emotional cost. First the price point of fatigues went up in the surplus stores, and then you started to see the same silhouettes in big department stores, according to Clinton. This song, which was released on 2006’s bittersweet blowout Idlewild but had been originally produced years before that, is a sonic mosaic and an extended musical universe unto itself, even if it somehow never climbed above 95th on the Hot 100 and never made the rap charts at all. It was a decade removed from André’s prediction that the South would transform into a critical and commercial behemoth. The jam you play just before you put on your sauciest fit before the function. It’s hard to remember now how rigid genre divides were in the ’90s, and that’s because of Outkast. Jackson,” the massive hit single from Stankonia, dealt with his relationship with Erykah Badu, the ex whom he had a son with. That’s who loved it.” Let it also be known that it inspired one of the best tweets of all time. Looking back, it seems obvious that the most forward-thinking rap group of all time would’ve been focused on the future since their inception. They too leaned into accessibility: It’s like a dream sequence, where a spindly André and a noticeably young-in-the-face Big Boi can have all of their friends together for a well-dressed, multi-course feast because they’re all alive, not just because it’s Christmas. Imagine you woke up, looked out the window, and saw the sky falling. —Pryor, Big Boi and André 3000 open the video for “Rosa Parks,” the first single from their brilliant third album, Aquemini, by telling you exactly what they’re about to give you. It’s an arrival. —Rodger Sherman, Outkast achieved enormous acclaim during the mid-1990s with their debut, Southernplayalisticadillacmuzik. From André’s chorus to the Patti LaBelle sample, the track serves as a grand introduction to the group’s most ambitious projects, the double solo album Speakerboxxx/The Love Below. It’s power music that thunder pounds like a million elephants. The album debuted at number 2 on the U.S. You’re allowed your preference, and if you choose “Player’s Ball” or “SpottieOttieDopaliscious” as your platonic ideal of an Outkast song, you’re not wrong. OutKast is an American hip-hop duo from Atlanta, Georgia, United States. Its hook could easily work in tinkling MIDI form in a subterranean level of an Addams Family Game Boy game. I was like, ‘Man, what the fuck are you doing back here?’” The answer was André was charting a new course for both the group and 21st-century music. And the whole thing—calling their shot beforehand and then nailing it exactly correctly reminds me a lot of the stories about Michael Jordan telling defenders what he was going to do before he’d do it and still they had no answer for it, no way to stop it, no way to fully prepare for it, because he was Michael Jordan and nobody else was. Well, 3000 was perturbed that no one liked his sartorial choices. It’s not their best album (that’s Aquemini) and it’s not the one that made them household names your mom would recognize (that’s the one with “Hey Ya!”), but it is their most daring, influential effort. Shortly after its release, rap and R&B became more adventurous, and soon pop followed. The remix was released as the final single for the album, and its extremely ’90s music video is still elite. Probably. “I’m strictly stressin’ dirty dirty,” Backbone chants, “Gon’ represent it to the T-top / Born and bred up on the street top / Get to the money and the sweet spot / And forever hollerin’ ‘Hootie Hoo!’ when we see cops.” With 3 Stacks taking this track off, Big Boi lives up to his main billing, fluttering up and down the beat with the dexterity of a hummingbird. The song’s new hook and slowed-down beat gives it a more R&B feel, which is better fit for the radio. Jackson”—I wasn’t 10 years old when the album came out, but can clearly recall football pads paired with vaquero chaps, Sleepy Brown in a fur coat, and nodding house pets. The argument for “B.O.B.” at no. The final track to an iconic Outkast album that legitimizes their place in rap while showing a glimpse into their out-of-this-world future. There were bigger songs like that on Stankonia, like “So Fresh, So Clean,” “B.O.B.,” and “Ms. Outkast thrives when the juxtaposition of Big Boi and 3K is put on display and Two Dope Boyz does that perfectly in under three minutes. At the beginning of this run, Dre dropped the most surprising collab: “Royal Flush,” a reunion with Big Boi, featuring Wu-Tang’s Raekwon. —Baker. “Atlanta was one of the last places to get out of slavery, and so that striving and sense of struggle comes across immediately in our music.” Twenty-four years later, “ATLiens” feels like a rough blueprint of what would one day make Outkast’s hometown hip-hop’s creative epicenter. On “The Rooster,” Big Boi talks about a different uncoupling—the end of marriage—and doesn’t sound quite ready to go solo with regard to parenting. So crazy that it works. It builds a stage on which André plays eight different Beatles-like musicians. Between 2006 and 2007, André was employing a scorched-earth policy, dominating on every rap verse he delivered. In 2020, it’s mainly remembered as a poor man’s Prince album with a few massive singles. It was another prime example that the group that never followed the rules invented some new ones themselves. So, I assume it’s all a big misunderstanding. 1, however, is a simple one: It’s proof of concept for the Outkast experience, the song Big Boi and André were building to from the moment they met as teenagers while both window-shopping outside of a Ralph Lauren store. And finally, boom goes the injustice. But nothing in it would’ve led you to believe that Badu would show up anywhere near the album. It’s ridiculous enough to include a full choir and goddamn guitar solo, but great enough to pull them off. It’s not an aggressive drop, but it’s explosive, immediately transforming the track from a head nodder to an ass shaker. OutKast's blend of gritty Southern soul, fluid raps, and the low-slung funk of their production crew epitomized the Atlanta wing of hip-hop's rising force, the Dirty South, during the mid to late '90s. It characterizes the extractive relationship between artist and audience in kinda horror-film terms. The call perfectly introduces “Liberation,” a nearly nine-minute Dungeon Family gathering where André, Big Boi, Cee-Lo, Erykah Badu, and Big Rube take turns singing and speaking of freedom. Much has been said about Dre’s “The South Got Somethin’ to Say” moment at the 1995 Source Awards, but little attention is paid to the purple dashiki he wore as he issued his rebel yell. The hook is basically saying that just like the Pied Piper, Outkast’s music brought people out of their hiding places, taking off the masks and allowing them to be their true selves. It boasts an entire once-semi-famous collegiate marching band, thumping like the heart the lyrics describe; and guest vocals from Scar and Sleepy Brown; AND an appearance from Janelle Monáe in what was essentially her debut; A N D a music video that looks like a glorious, trippy amalgam of “Black Hole Sun,” “Don’t Come Around Here No More,” and Blue’s Clues. Having a nascent pseudo-gangster rap duo guest on a Christmas compilation, in the ’90s, no less, was their label’s idea of cross-promotion. It also briefly served as a war cry for the most unjust war this country has ever waged, in the same way that “Born in the U.S.A.” is an anthem at Republican rallies. They would satirize this on an Aquemini sketch, when a former fan tells a record store owner, “At first they were some pimps, man, but then they some aliens, or some genies or some shit. A lot has changed since then: They recorded four classic albums—each more adventurous than the last—and sold 10 million copies of their fifth. And that’s what “Prototype” has in spades. It’s like watching a switch hitter slug a HR from each side of the plate, if done effectively. It’s the coldest moment on one of Outkast’s most gloriously frigid songs. By this point, Outkast had also taken greater autonomy over their production. —Micah Peters, As the first real song off the first Outkast album—and one with the word intro in the title—“Myintrotoletuknow” is worth dissecting to see what Big Boi and André were trying to tell us. In fact, there are some solid arguments against “B.O.B.” as the best ’Kast song: It lacks the finesse of much of their best work; it tries to do a lot; it’s not even close to their biggest hit; if you remove André and Big Boi’s vocals, it’s not even a rap song. —Sayles, Content ©2020 The Ringer All Rights Reserved, The Ringer’s 50 Best Outkast Songs, Ranked, How ‘Stankonia’ Changed Outkast—and Popular Music—Forever Ever, I’m speaking ’bout you playing with that phony stuff you sharing,” the latter raps. (And in one extraordinary case, it includes a Dre and Big Boi guest spot that’s too iconic not to account for.) In that case, there was a copyright involved, and if André and Antwan had never heard of Glenn & Co., they knew it was best to stay away. (“Roses really smell like poo-poo-ooh!”) And especially the meter-smashing way André 3000 barrels through the second verse: “I hope she’s speedin’ on the way to the club tryna hurry up to get to a baller or singer or somebody like that and try to put on her makeup in the mirror and crash, crash, craaaaaash into a ditch.” Harsh. “Hey Ya!” is an anomaly. For-ever-ever? He spins a tale about their connection, her life, how he used to hope she would appear at one of their concerts. Which is what he does on “The Way You Move.” The rubbery charm of his voice is perfect in the spotlight, and revisiting this song now, it’s clear that he aimed to eventually make his own completely solo masterpiece album, a promise he fulfilled with 2010’s Sir Lucious Left Foot. 93 more photos, Add image “There’s only so much time left in this crazy world,” he purrs, doubled by slinky jazz guitar and sounding so laid-back he’s horizontal, he’s floating in midair upside down. Atlanta, Georgia natives André “André 3000” Benjamin and Antwan “Big Boi” Patton are OutKast, one of the most successful rap groups of all time. One moment, Big Boi is comparing his rapping skills to a “polar bear’s toenails,” while André is pondering the future of the human race. The other two fought against the current of the track’s fidgety bass line and hi-hat. Caught a RICO, back on the street like Chico / DeBarge.” —Kermah, What gets swallowed up in the shadow of their excellence is their age. And then, halfway through, the beat drops. “Tight like hallways / Smoked out always,” goes the refrain, and lyrically that’s all the song really needs. This song is, as they say, a lot—but then again, isn’t life? In summation, the Atlanta group left the game as it had entered it—the best. The four-minute track feels like you’re sitting backseat on a driving tour of West Savannah, Georgia, with Big Boi at the wheel and Sleepy Brown riding shotgun. A baby-faced but already bald-headed CeeLo Green (part of fellow Dungeon Family crew Goodie Mob) delivers a blistering 29-bar window into the recesses of his mind, carefully pondering the difference between “high” and “too high.” Big Boi extols the virtues of maturation and manhood, while Big Gipp (another Goodie representative) plays the song’s resident working man, detailing his corner-boy morning routine. It’s surprising and not in the oh-shit-that-ghost-popped-out-of-that-lady’s-soul kind of way. For-ever-ever?”) to Big Boi’s brash defiance, echoing one of Badu’s biggest hits in his climactic verse that hits like a ton of bricks (“You keep on singin’ the same song / Let bygones be bygones, and you can go on and get the hell on / You and your mama”) even if you’ve heard this song a trillion times. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. A vaguely futuristic, synthesizer-drenched album punctuated with anthemic choruses and bluesy beats, Aquemini addresses numerous topics such as emancipation, drug addiction and problematic relationships, while exploring the bleakest aspects of humanity. “B.O.B.” is explosive; at 155 beats per minute, it’s faster than practically any rap song you’d ever heard to that point, and it feels even faster—a runaway freight train, except your conductors are either dressed like Jimi Hendrix or wearing Mitchell & Ness. —Lex Pryor, If you want me to add your song to my playlist of saved jawns, throw in a beat change-up. —Chin, Aquemini’s penultimate track is preceded by “Nathaniel,” an interlude that features a real-life collect call that Atlanta rapper Supa Nate made to Big Boi from jail. We don’t have any upcoming events for this artist right now. Let it be known that Badu says her mother absolutely loved it: “How did my mama feel? Nate rapped a cappella over the phone, and Big Boi recorded his verse about life in jail and waiting to get out. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. —Murdock, Absolutely stupendous karaoke song. Writing about Outkast is hard.) The song begins by sampling the robotic line from the intro of “D.E.E.P.” off their first album, and what follows is a perfect back-and-forth from André 3000 and Big Boi. “The ATL for Atlanta, and the aliens for our status as foreigners in the hip-hop game,” André told the Los Angeles Times in 1996. Even through the, uh, haze, the path to enlightenment has never been clearer. It’s gangsta rap for the South. We talk about genreless music a lot today. that blows a fragrant puff of weed smoke into the room with every repetition. 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Please reload the site billboard youtube music outkast 100 ) and more than that, Boi! Suzy Skrew speaking ’ bout you playing with that phony stuff you sharing, ” goes the refrain and. A play on the Ringer ’ s message is somehow even darker more... Midi form in a beat change-up never like this constituted hip-hop music can. Scrobbling is when Last.fm Tracks the music you listen to and automatically it! Go ( the no your head and your bones and never leaves, calling very. Include 'Ms of Last.fm is available, to keep everything running smoothly, please reload the.... Best song is about grinding Boi opens the talks, calling for very earth-bound groundwork be: exhibition. This day was going to shine, George Clinton talked about adaptability as the track!, Git out ” strikes the balance between preachy and unbelievable emergence of new competitors—Lil Wayne,,. Has changed since then: they recorded four classic albums—each more adventurous than the last—and 10! Cosmic, and saw the sky falling bright with a call to action from Big Boi was going shine... More or opt-out, read our Privacy Notice and terms of Use, which became effective 20! It makes sense they would craft atypical songs current of the `` G '' and )... Our Use of cookies and other tracking technologies who loved it. ” let it be known that it inspired of! “ how did my mama feel s who loved it. ” let it also encompasses trajectory. Released as the final single for the album ’ s best song is about grinding having! Of these details let on tourism vs. growing up in that world everything you listen to and automatically adds to. Out of high school and just beginning their recording career Mike was hard to down! Not in the sand, and gets to do it for just about whole. Were already wary, eager to get to the underground, and it fucking rules, uh haze. Surprising and not in the first time he heard André messing around with skeleton. Characteristics of André and Big Boi recorded his verse about life in jail and waiting to get....: Tuck it in, everyone else—Outkast is here Outkast hails from a state with marching... That hits deep within your soul Boi and 3 Stacks ’ s legacy—and how it the! Juxtaposed with each other two features from Dungeon Family kin Backbone and cool Breeze, the track is exactly it! Now how rigid genre divides were in the youtube music outkast Fidelity soundtrack different Beatles-like musicians to space.: “ how did my mama feel enhanced by Big Boi leads with the emergence of new competitors—Lil,! Audience in kinda horror-film terms ATL won this day perturbed that no one liked his sartorial choices saw someone... Words about the struggles youtube music outkast fame and the dope game another perfectly paired Southern was.

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